Images of La Ribaute
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La Ribaute is a museum in Barjac in France.
Art & Design
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89G8+68, Barjac
No exhibitions in La Ribaute have been found.
La Ribaute has 2 ratings.
La Ribaute in Barjac, France, is an unconventional art installation and living space created by German artist Anselm Kiefer. This former silk factory turned artistic complex offers visitors a thought-provoking experience. The site features massive concrete structures, towers, and underground chambers filled with Kiefer's large-scale paintings, sculptures, and installations.
Many visitors appreciate the raw, industrial aesthetic and the way Kiefer's work interacts with the landscape. The scale and ambition of the project are often noted as impressive. The fusion of art, architecture, and nature creates a unique atmosphere that many find captivating.
However, some visitors find the experience challenging or overwhelming. The site can be difficult to navigate, and the art itself is often described as dark or somber in tone. Some reviewers mention that guided tours are essential for fully understanding and appreciating the complex meanings behind the works.
It's worth noting that La Ribaute is not a traditional museum, and access is limited. Visitors typically need to book in advance and tours are conducted in small groups. This exclusivity adds to the allure for some but may be a drawback for others seeking a more accessible art experience.
The remote location in the French countryside is seen as part of the charm by many, adding to the immersive experience. However, this can also make it less convenient for those not already in the area.
Overall, La Ribaute offers a profound and unique artistic experience for those interested in contemporary art and willing to engage with challenging themes and unconventional presentations.
Dear Readers,
first I would like to explain that my girlfriend and I really appreciate the German artist Anselm Kiefer. That is why we planned a visit to the Art Site La Ribaute in Southern France, which is managed by the Eschaton Foundation. Just booking the tickets is really an adventure itself. Full-day tickets are practically impossible to book, as they were not yet available at 6 a.m. on 31 January 2026 and were fully booked for the whole year by 9 a.m. As the entire booking process is in French, misunderstandings are inevitable. Afterwards I have booked and paid for a 2.5-hour guided tour (2 tickets), initially by mistake for October and immediately afterwards for the correct date in September. The October tickets are obviously non-refundable, which means that two places for the very rare allocation will be blocked in October. Why? Furthermore, when booking the September tickets, I clicked ‘2’. Then I received two online tickets, both in my name, because there was nowhere to enter my girlfriend's name. However, the Eschaton website states that tickets are not transferable to other persons. So I am curious to see whether we will be granted access although both tickets are in my name. Of course, I tried to clarify all these misunderstandings and ambiguities by emailing visits@eschaton-foundation.com in German and French. But I never received any reply. So we'll take our chances and go in the autumn, but we don't know what will happen. In any case, the visitor and booking service and, in particular, the foundation's communication politics are extremely poor. The whole process seems arrogant and dismissive. Actually worse than one point out of five.
Best regards,
Dr Eckhard Wipfler
Berlin
This rating is based on the rating of this museum on several other platforms.