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The Plaster Museum, located in Cormeilles-en-Parisis, serves as a hub for information and resources on plaster and construction materials. It boasts a diverse collection, a library, an archive fund, and an iconography. These resources cover a wide range of themes including geology around gypsum, the history of plaster companies and territories, plaster crafts and arts, molding and sculpture, and the workshop fund of the sculptor Boulogne.
One of the highlights of the Plaster Museum is its collection of a hundred gypsum crystals from around the world. This collection showcases the crystallographic diversity of gypsum, with examples such as sugar gypsum, lark's foot, spearhead, and fibrous in flakes. It also reflects the geographical diversity of gypsum, demonstrating how this mineral is found in various regions across the globe.
The Plaster Museum holds an extensive archive of more than 1,500 documents and iconography. These resources provide valuable insights into the history and development of plaster companies such as Plâtres Lambert, Poliet Chausson, SAMC, and Plâtrières de Grozon, which eventually led to the creation of Placoplatre. The archive also includes information on Mussat Binot, Gypses and Plâtres de France, and Plâtres Lafarge, which later became Siniat.
Science & Technology History & Anthropology Geology Industrial heritage Profession & Craft
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The Musée du Plâtre in Cormeilles-en-Parisis, France, offers visitors an informative look into the history and production of plaster, a material deeply rooted in the region's industrial heritage. The museum is housed in a former plaster factory, providing an authentic backdrop for its exhibits. Visitors appreciate the well-organized displays that showcase the geological aspects of gypsum, the raw material for plaster, as well as the technical processes involved in plaster production. The museum does a commendable job of explaining the historical significance of plaster in construction and art. Many visitors find the hands-on demonstrations and workshops to be engaging, especially for children. However, some reviewers note that the museum is relatively small and may not occupy visitors for more than an hour or two. Additionally, while the information provided is thorough, some visitors mention that more English translations would be helpful for international tourists. The staff is generally described as friendly and knowledgeable, though guided tours may not always be available. Overall, the Musée du Plâtre provides a niche but educational experience that is particularly relevant to those interested in industrial history or construction materials.
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